Like spoken language, music has its own grammar and vocabulary that composers use to communicate meaning. My research explores how composers strategically manipulate three key elements—cultural symbols, arresting musical gestures, and emotional cues—to communicate musical 'meaning' with listeners. I've mapped out how music functions as a sophisticated communication system, revealing that successful compositions aren't just a collection of coherent sounds, but are deliberate acts of meaning-making that bridge the gap between a composer's intentions and what listeners actually experience.
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AuthorComposer of music Archives
October 2025
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