![Picture](/uploads/5/0/3/3/50338919/published/20231102-185337.jpg?250)
Here are two versions of the same text set differently. One being set in a conventional way and observing the stresses of the original text and one deliberately accenting unstressed vowels. This may become a stylistic feature of, if not the whole opera, but possibly the character of Prospero.
The one on the left is the conventional word setting.
![Picture](/uploads/5/0/3/3/50338919/published/20231102-185347.jpg?1698951757)
The one here is the one which breaks with the convention of stresses in the original text.